Check out what's available on Kandy Fa Ya Ear:
Coming Soon!!! SAK Record's releases for 2005/2006
SAK Kutz Radio
Breeze rockin' the Mic at London's Farrago Zoo
Some Hidden Music Gemz
Just Below See-Level, Subterranean Hitz 4 Those In The Know

What They're Saying About "The Writing Is On The Wall"

Mark my words. Radio will have a new toy and thousands of poets will be in the lab over the next 2 years. It's been a long time coming but it’s here. The natural evolution of the spoken word.

"...the first thing I did was play it for my students. Young people need to hear this!"
-- Aya De Leon (Poet/Activist)

With a litany of R&B acts that seem to melt together, it is sweet pleasure
to listen to the platinum throated Jaheim. Still ghetto as he wants to be,
thankfully it is still the vocals that do the bling blinging. Typically,
sophomore efforts are lackluster and repetitive. With the success from his
first album "Ghetto Love", Ja seemed doomed for failure. His already
obvious raw talent is even more complex and multi-textured this go round.
To call him a Teddy Pendergrass wanna be such as the likes of Christopher
Williams would be doing him a severe disservice. His vocal phrasings are
more reminiscent of Luther in his prime, or with the risk of sounding
blasphemous, Aretha in her more svelte days. The album takes on a wide
range of topics. From ghetto life, the ups and downs of relationships, to a
thug just wanting to settle down. It is this topic that's producing one of the more poignant moments in the last ten years of R&B music. His duet with Mary J. Blige rivals Marvin and Tammy at their best. When he asks have you ever seen a lion sleeping on the bosom of a sheep, both musically and
lyrically your very soul is touch. Other stand out cuts like "Fabulous" and the phenomenally heartwarming "Everywhere I Am" make this a must have album for every music aficionado. If you don't have a copy in your disc changer already, you're late. Trust.

Dave Hollister -- “Things in the Game Done Changed”

Unfortunately, when you hear the term-spoken word CD, most of us are filled immediately with dread. We've all gotten tired of the elevator music, jazz backed tracks that all sound like they've come from the same studio. So it was a pleasant surprise to take the hour to listen to this CD by the Atlanta based poet Sphinxx. From the very first track "Welcome" he immediately stands himself apart from the rest. With his crisp production and smooth background singing, tracks like "Midnight Train" and "Longtime
No See" with vocals by Tony Rich instantly grab the listener. "Daddy's Home" where he talks about living off his wife's income while he continues to ply his trade, is a theme most poets are familiar with. When he says "me and my wife be arguing and disagreeing like a couple of Jews and Middle-Easterns" you feel the emotion of the piece. I look forward to hearing more work from this smooth Southern poet.